Some of the material in the TriCollege Libraries Digital Collections is available only to members of the TriCollege community. Please use your institutional credentials to log in. By logging in, you may be able to gain access to certain collections or items that are not visible by guest users. If you have questions about access or logging in, please use the form on the Contact page.
Executing small, springy steps in 2/4 time, the bridal party performs sousta dances of the Dodecanese islands. The dances include the slower katos horos (down dance) and the faster panos horos (up dance.)
Katrina Thomas's notes: Greek-Americans from a mountainous island in the Dodecanese began to emigrate to the U.S. in 1965, retaining ties to their villages to which they regularly return. In both the land of their ancestors and in America, they keep time-honored customs of music and dance. On the wedding morning, in the homes of both bride and groom, for many hours male friends and relatives sing original lyrics, honoring each family. The verses are accompanied by traditional instruments, the lyra, its five wire strings plucked, and a lauoto, its three strings, played with a bow. Later, at the wedding reception, after the hired band leaves, a trio of friends plays these instruments, often adding a bagpipe, known as a tsambouna, to perform dance music until early morning.